August 2017

VISUAL PHENOMENA STUDIO

221 S. OAK AVE., 2B, PRIMOS, PA 19018-2121

610-504-6421

www.visualjeff.org

finearts@visualjeff.org

www.visualjeff.wordpress.com/2017/07/16/july-notes

LIVE JEFF GENDER EQUALITY 1

As France24 broadcast its jaded acid dribble across the World Wide Web, I typed this blog entry for www.visualjeff.wordpress.com, after creating certain graphic art jpegs from my photographs. This is the premiere announcement on WordPress that LIVE JEFF, my live stream broadcast on the World Wide Web in partnership with XSplit Broadcaster, will resume Internet broadcasts on Sunday night, October 1st., 2017 at 9:00 PM EDT on my VISUALJEFF1/LIVE YouTube Channel www.youtube.com/visualjeff1/live.

I have studied for many years about religion, philosophy, psychology, human development, creativity, the arts and design, as well as extreme behavioral disorders, special education and arts therapies. My position paper calling for art education as a requirement in public school systems, The Necessity for the Arts as a Primary Consideration within the American Public School Curriculum, was published nationally in October 1976. The NAEA Journal feature was used at Trinity College in Washington, DC to create a graduate workshop on this issue. I am certified to teach art and special education in elementary and secondary school in Florida and secondary art and special education in New Jersey.

I also am typing this to promote and announce one of my recently created animated documentary music videos, MARCH 31 2017 GEO POLITICS, an animated documentary about the Holocaust, the 21st. Century and what the hell is happening around us today. This is the YouTube hyperlink for the music video: www.youtube.com/watch?v=AZsKEH5ycQM.

me mirror better tiny crop

March 31 2017 Geo Politics (16:09)

This was published to my YouTube Channel on April 1, 2017; My YouTube Channel is visualjeff1 at www.youtube.com/visualjeff1.

This music video is as the title presents – a music video documentary about the Geo-politics of the world we share in 2017 on the specific date in time identified in the title. I encapsulated a series of images and graphics to focus on today’s truth – not yesterday’s news. The soundtrack to my video is a unique mix. The first song is named Undzer Shtetl Brent (Our Village is Burning) by Mordecai Gebirtig (Poland, ca 1938) and is performed in Yiddish by Gita Frank. The piece had been sung by the composer’s daughter in the cellars of the Krakow ghetto to inspire the people to rebel against the Germans. Frank also varies text in a significant way, altering the song’s original refrain from “our village is burning” to “the Jewish people are burning.” The remaining music on this soundtrack are original compositions by Keith A. Forman, BMI Songwriter and Founding Bandleader of LIQUIDISLAND, the band that performs all the songs. The set list includes: New Day, Major Force, Caribbean Cruise and Serenity. They all are instrumental versions of Keith’s music. This music video is ©2017 by PISCES PRODUCTIONS dba CEI T/A VISUAL PHENOMENA; all rights reserved. All music except the first song, as I noted previously, are ©2017 by Keith A. Forman, BMI Songwriter; Bandleader, LIQUIDISLAND; all rights reserved.

Don’t stand there, brothers, looking on with futile, folded arms; don’t stand there, brothers, douse the fire! Our poor Jewish people burn!  

March 31 2017 Geo Politics (16:09)

YouTube: www.youtube.com/watch?v=AZsKEH5ycQM (PUBLIC PRESENTATION; WORLD WIDE WEB)

Vimeo: www.vimeo.com/227992312 (Password required to View – FOR FESTIVAL JUDGES & MY GUESTS: 31march$83)

As I have stated, this HOLOCAUST-relative animated documentary music video has a specific time line – from 1867 through 2017 – 150 years of lies, myths and persecutions disguised as many different strategies, themes for growth & development or merely cultural engineering. I created and produced this short music video to present what occurred around the world between this stated timeframe, following 150 years of human development that proved to be a petri dish for genocide against specific ethnic, cultural and/or religious collectives, the most devastating of which, without question, being the HOLOCAUST when 6,000,000 Jewish men, women and children were systematically murdered in a mass genocide undertaken by one nation, Nazi Germany, under the leadership of one man, Adolph Hitler, against an entire collective of good, bad and indifferent human beings, who endured this actuality without resistance, opposition or antagonism to halt this atrocious genocidal action.

The Jewish people (Ashkenazim/Russian and Sephardi/Asian), who have been on this planet in a civilized manner for 5,777 years so far, have been attacked systematically by specific entities since said entities came into existence. This has become the living theater of the absurdly deadly. Granted, Germany surely had partners in this systemic scheme of annihilation and Italy, Japan, several Asian/Arabian Geo-political entities and the Islamic collective under the Grand Mufti all partnered with Germany to attempt to eradicate all Jewish people from this planet. The American car company, General Motors, built tanks in their Opel factory in Germany for Rommel’s North Africa campaign against the USA and the Allies. The 44th. POTUS, Barry Obama, provided government funds to GM to save it from failure. Are you beginning to understand the chess game yet? It now is known that the Allies knew of this genocide and took no action for a certain length of time while international enterprise, war-based, was occurring.

THE HOLOCAUST DID NOT OCCUR UNNOTICED, ALBEIT IGNORED for too long and although currently denied by certain entities around the world in the 2,017th. year in the 21st. Century, including Iran and smaller murderous groups of Islamic deviants, as Turkey’s President Erdogan denies there was an Armenian genocide between 1915 – 1923. Coupled with the UNESCO declarations that deny evidence-based heritage sites as Judaic, despite archeological evidence that proves that for thousands of years, Jews were in Israel and the surrounding region, a cult of duplicity that supports a dogmatic dysfunction and atrocity that has existed for 1,417 years so far, the advent of Islam. The Islamic state of being is built upon a false foundation established by a pseudo-religious pedophilic platform of abuse, intrusion, theft, deception, murder and many other actions and attitudes which are dominating and aggressive against all non-Islamic persons, women and/or anyone who by opinion is misinterpreting the Quran. The world has observed the ongoing insanity between Shi’ite and Sunni for these same 1,417 years. This truly is a ridiculous design for living and must not be allowed to continue, or at the very least, not allowed to continue to be abusive, terroristic and atrocious toward anyone other than themselves. Corral this lunacy and ignore them all. What else? A bomb or twelve?

This larcenous cult-like collective appropriated the name, Palestine, and now calls itself the state of Palestine. This is one example of the many acts of duplicity and taqiyya with which we are faced as Jews, Christians, Buddhists, Hindus, Atheists, “Lights and Snowflakes” or whatever you want to label yourself… In Islam, if it is not Sunni or Shi’ite, you can be what many call the satanic Islamic faith, and to what the majority of mainstream Sunni and Shia Muslims worldwide strongly disagree, Wahhabism. Many Muslims denounce them as a “vile sect”, and if not Islam, you are nothing and probably dead.

An historic 1929 magazine cover clearly portrays Israel as Palestine and Jewish people as Palestinians. The UN General Assembly and its Asian/Arabian members create their several committees and little gatherings of hateful, selfish, abusive idiots to ignore facts and present position papers that are ridiculous, yet have impact around the world. The world tries its best to cover the truth with its lies and its misinformation campaigns to shield self-vested, hateful ignorance and contempt without knowledge against Jewish people and Judaism around the world. Barbarian designs for living are what my music videos expose and showcase to present these facts and I do it in an entertaining manner with original music by Keith A. Forman and LIQUIDISLAND.

I ask myself often as I have begun this video series: “Why were my family members insightful that they left Russia to come to the United States before the 20th. Century?” What did they know and how did they know it? My grandmother’s older brother, Sidney, was born in England before my family came to the USA. Elizabeth, my mom’s mom was the first “BORN IN THE USA” family member of my immediate family DNA. My grandmother was born in Philadelphia in 1899. My family had emigrated from Russia through the Italian Alps to England and onto the United States prior to the 20th. Century. Her future husband also was born in London in 1902 and came to the USA in 1904 at 2 years of age. My grandfather (my mother’s father) married my grandmother in 1918 at 16 years of age. She was 18+ years of age. My family ancestors were interior designers, wallpaper artists and display materials merchants in Russia – creative service providers – whose clients, I assume, provided information that was pre-emptive and their collective insights saw the metaphorical writing on the wall and left what would become hell on planet Earth, the Russian pogroms, the creation of Jewish ghettos, the start of WWI and then the Nazi Holocaust horror that was WWII. My family witnessed these events from the USA. As I said, my grandmother was born in Philadelphia in 1899. My mom was born in 1922. I was born in 1951. As I rewrite this draft, it is 11:51 PM EDT on August 16, 2017.

To seek a freedom and a desired quality of life, many Ashkenazim Jews came through the urban port cities along the NE seaboard between 1880 – 1910, a 30-year experience that preceded WWI. Charleston, SC is the location of the second oldest synagogue in the USA and South Carolina was the first state to ratify religious freedom in this country. In 1776, being Jewish was much different than being African-American or Black, whichever term you care to use. My father’s parents also were born in Russia and came to the USA before my father was born in Philadelphia. He was 2 years younger than my mom.

What allowed so many people (6,000,000) to accept what was about to happen, seemingly without a fight and without resistance yet for the few who did manage to avoid the camps and death, those few who would never accept or tolerate any such a gesture or approach – who would fight to the death rather than be enslaved by someone, or would commit suicide rather than be captured, tortured, raped and then murdered by the hands and efforts of others, such as the Masada story we learn and the Apache story we also learn?

What is the “it” that separates these two human collectives – the 6,000,000 HOLOCAUST VICTIMS versus the remainder of Jewish people who were not victims? This video production, MARCH 31 2017 GEO POLITICS, will pivot around certain persons who are the children of Holocaust survivors, others who are offspring of those who were not survivors, persons such as myself who were in the USA and facing an entirely different perspective about what would unfold between 1915 – 1945, and then from 1945 – 2015, and then the past two years. I also will present what occurred following the end of WWII in an innovative manner to bring this media project into present day reference and what Jewish, Armenian, disabled, disfigured, gay, lesbian and trans-gender people embrace and battle each day of our lives as the inheritors of this maniacal and genocidal Nazi-attributed heritage of our families, the legacy to the world around us and the quality of life everyone who lives now entertains. I recognize that there are authors such as my Facebook friend, Patrick Dempsey, who are dedicated to one aspect – the remembrance and memorializing of the 6,00,000 HOLOCAUST VICTIMS and this segment is critical and necessary. The world must never forget what occurred and must never again allow such actions to be undertaken. These creative people such as Patrick are the inspiration from whom I can create and produce the type and style of creative work I am presenting to the world before the next genocide occurs. I am doing this with original music and armed with the facts – no opinions; just facts – this is #THETRUTHWORLDWIDE.

Saying a repetitive phrase, “Never Again!!!” does not insure that this will never again occur. “Hope is not a survival skill.” Words without actions mean nothing. As my thoughts are put to this web page, I continue to share with the world what I think on several other web-based platforms. My multi-media presentations are both educational and entertaining, and they are effective in showcasing a specific point of view that brings truth to the forefront of the World Wide Web. I focus on two aspects of life – an end to all abuse to all women around the world and the establishment of gender equality across the board.

Thank you for allowing me to introduce this very important music video project to you and thank you for reading my words today.

THERE ALSO IS ANOTHER POINT IN WRITING THIS BLOG: THE MONEY “PITCH”

I am seeking funding because there are certain costs involved in making an animated documentary music video and festival fees vary and can be costly at $45 – $90.00 at times. The average festival entry fee is $50.00. I also cannot draw and film everything that is needed to complete what are my mind’s images, such as location footage of the events as they occur from around the world, and I also cannot do everything myself for THE SCARLET ADVENTURES adult fairy tale cartoon feature that is in production now. My storyboard artist will cost $160.00 EU daily. I have other artists with whom I am discussing specific collaborations to create specific characters, as well as the dialogue itself, that comes from the existing narrative. The associated human voices and character designers – 5 “main” birds – 5 different artists to develop 5 different characters and their personas for the story as well as 5 different off-camera voices. The 4 additional bird characters are the supporting cast. The nine characters are Itza, Chichen, Cayo and Carmen LaVida, Coco Merida, Veracruz Sammy, Scarlet Playa, the unnamed Cockatoo and Veracruz Sammy’s mate (never speaks).

Think about sharing in financing this animated music video Disney-esque media project in exchange for ample on-screen credit, press release identification and widespread online public relations and marketing both pre- and post-production. To provide a very secure method of currency exchange, I am using the Patreon platform that provides a monthly recurring payment as a member of TEAM LIQUIDISLAND in partnership with VISUAL PHENOMENA STUDIO and PISCES PRODUCTIONS.

TEAM LIQUIDISLAND Memberships range from only $1.00 monthly to $100.00 monthly. There are 50 top tier memberships available at the $100.00 level.  Each membership tier has its own rewards and each subsequent tier gets all the previous rewards for all the other tiers plus additional bonus rewards. The top tier, at $100.00 monthly has very special rewards including a private 50 persons plus 1s for a total of 100 persons to enjoy a gourmet dinner and a private concert performance by LIQUIDISLAND onstage at A VENUE TO BE DETERMINED AT THE TIME.

Thank you so much for your consideration now.

Very truly,

Jeffrey W. Pergament, Multi-Media Artist/Owner, VISUAL PHENOMENA STUDIO; Creative Director/ Executive Producer, PISCES PRODUCTIONS; CEO & President, CEI/DCSI/LAAPIP INCORPORATED.

fantasyarts@msn.com

610-504-6421

www.patreon.com/visualjeff

Copyright ©2017 by Jeffrey W. Pergament dba CEI, PISCES PRODUCTIONS, LAAPIP INCORPOPRATED & DCSI T/A VISUAL PHENOMENA.

Jeffrey Pergament aka visualjeff (Vimeo) and visualjeff1(YouTube)

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THE SCARLET ADVENTURES is an adult cartoon fairy tale metaphor about today’s global conditions and exchanges – religious dogmatic hatred and jihad, abuse against women and the lack of gender equality, immigration pros and cons, population growth beyond control and random and rapid births beyond wedlock, improper socioeconomic conditions, extreme poverty, urban decay, infrastructural disrepair, corruption, nepotism and patronage throughout governments everywhere, poor education and the lack thereof, sexism, human trafficking, drug trafficking and the relationships of all of these to our daily life and to each other.

Belize beach 1a

FROM THE BIRDS-EYE VIEW OF A FAMILY FLOCK OF SCARLET MACAWS WHO WITNESS THE “GROUND-WALKERS” AS THEY DO THEIR GROUND-WALKING ACTIVITIES! Like the Sopranos, with feathers… A FAIRY TALE ABOUT FAMILY VALUES AND THE CHANGES WE NOW FACE IN 2017… THE SCARLET ADVENTURES.

We observe the world through the clever birds-eye view of Cayo LaVida and his family flock, and the macaws’ activities, thoughts and situations that any family flock of scarlet macaws migrating between the Yucatan Peninsula and Belize would consider. One year, Hurricane Rina devastated the migrating macaws and created the origin for THE SCARLET ADVENTURES in order that I may entertain and educate my world-wide audiences about the adore-mentioned themes and issues. 

This is a fairy tale fantasy story about the LaVida family flock of scarlet macaws. Any resemblance to any character or situation living or dead probably was intended and it is good for you that you noticed that the world truly has these problems of drug trafficking, human trafficking, abuse, slaughter, dogmatic intrusion and all the rest of the crap that hits our collective fans.

THE SCARLET ADVENTURES is written in 3 chapters and an Epilogue. Chapter One is titled Cayo and Carmen LaVida. Chapter Two is Where in the World Is Carmen LaVida? Chapter Three is Cayo Came First; The Rooster’s Smoking the Cigarette! Chapter Four is not a chapter; it is the Epilogue and the answer to the question, “How did a multi-colored scarlet macaw get on the cover of the LIQUIDISLAND CD Album, GO YOUR WAY?” and several other questions that may have arisen during the telling of THE SCARLET ADVENTURES.

YouTube cartoon title credit

THE SCARLET ADVENTURES began in Key West as a love story after two surviving macaws from different parts of Mexico and from different family flocks of scarlet macaws were swept into the same banyan tree on Whitehead Street by Hurricane Rina. As sole survivors and more so, as scarlet macaws, they mate for life. Scarlet macaws also live between 80-100 years of age and they are not like cockatoos. In this fairytale, they are at war with each other. Factually, they have different beaks and different methods of eating. Macaws are predator eaters, mashing and destroying the entire nut or fruit while cockatoos crack, open and drop the husks, generally making a mess and defecating where they are eating yet assist the cross-pollination of the planet’s plant life as they are foraging. On the other hand, scarlet macaws do not cross-pollinate; they do not even date other birds or fly with other types of birds. To a macaw, a cockatoo is a disgusting primitive lesser bird. In THE SCARLET ADVENTURES, the scarlet macaws and the cockatoos have been fighting for 40 years. The war began in Tampico when the cockatoos came from across the river on a revenge mission for the Alamo or some other story that the birdbrains were told to be willing to be relocated to Tampico at the order of a Mexican ground-walker who was working and living in Brownsville, Texas in the first place. You will have to wait for the Epilogue to learn the history and facts about this 40-year-old event and the seduction of the cockatoos by the Mexican-American outlaw.

A truce was established after twenty years Hurricane Rina eliminated too many birds for any flock to be at war. The war created a large percentage of chronically wounded birds and unemployed former soldier birds (the solid green and mostly green scarlet macaws all were the soldiers who led the battle against the cockatoos; the Moluccan salmon under-feathered cockatoos were the soldiers for the cockatoos). The war-worn cockatoos found themselves migrating toward Belize and Carillo Puerto along the Caribbean Sea coastline for permanent residence in warmer weather to avoid annual migrations; the scarlet macaws went East to the Yucatan Peninsula to Playa Del Carmen on the Caribbean Sea South of Cancun but North of Carillo Puerto.

The drug cartel vacationed and held holiday in Carillo Puerto and was the only employer in the area and cockatoos were perfect watch birds. The cockatoos served as look-outs for the cocaine factories and storage facilities for the drug cartels because they fly in circles and make very loud noises whenever anyone approaches the buildings. They also seem to enjoy flying around the cocaine storage facilities and this contributed to the current problem when the cockatoos are discovered in Belize City by Cayo LaVida at the end of Chapter Two which introduces Chapter Three: Cayo Came First… The LaVida family flock had relocated its summer home from Playa Del Carmen on the Eastern coast of the Yucatan Peninsula after almost twenty years nesting on the Caribbean seashore, to Tampico, an urban port of call on the Gulf of Mexico coastline on the mainland of Mexico, close to Texas and similar in activities and in architecture to New Orleans. After Hurricane Rina, Itza LaVida had decided to relocate to Playa Del Carmen instead of returning to Tampico or permanently relocating to Belmopan, Belize as he had planned when he left Tampico before the hurricane knocked him off-course to Key West and he met Chichen. That was going to be Itza’s last winter flight from Tampico to Belize and he had planned to never return from Belize. Then he met Chichen and everything changed. Twenty years later, he was returning to Tampico and stepping down as leader of the LaVida family flock. His son bird, Carmen, the second hatched yet bigger, stronger son bird, was to become the new leader of the family flock of scarlet macaws and would lead the flock from Tampico, Mexico to Belmopan, Belize.

top view down CH 1 TITLE

Meeting Chichen in Key West and hatching two boy birds, Cayo and Carmen LaVida, was everything that Itza never thought he’d have – his own family. He was a warrior and had killed more cockatoos in Tampico than the surface of the street could handle. There were so many dead Moluccans that the street looked white with salmon-colored stripes and swirls. It looked as if the street was made of orange sherbet and vanilla ice cream. Itza had sworn never to fly over that city again until the cartel started to make the Yucatan Peninsula the playground of evil children and established their recreational base in Carillo Puerto. Motorcycles, guns, fire-crackers, drugs, loud music and more petty crime and rude behavior than any ground-walkers should sustain for any length of time had convinced Itza that he had to move his flock.

Not only were his boy birds almost 20, many other boy birds in his family flock were also almost 20 and mating season was a necessity to rebuild the flock after Hurricane Rina and the Great Tampico Cockatoo Macaw War, even after 40 years. Since so many scarlet macaws were about to have their own families within the LaVida family flock, Tampico now was better for them than the beaches of the Yucatan Peninsula in 2017. In 1997, Itza, Chichen, Cayo and Carmen LaVida did not return to Tampico from Key West when the boy birds were almost 103 days hatched. They stopped at Playa Del Carmen and built their nest. Since every other member of his and Chichen’s former family flocks was either known to be dead or missing in action during the war in Tampico or from Hurricane Rina, they decided as they turned toward the Yucatan from the Western tip of Cuba to stop at the Eastern tip of the Yucatan Peninsula to be able to face Key West when the sun appeared over the horizon every morning, and made their new nest in Playa Del Carmen, in a protected alcove along the shoreline South of Cancun. It was scarlet macaw sanctuary until the never-ending loud noise – car motors racing with loud bass booming into the night as the nightlife and crime became overbearing and the migratory flight path crossed directly over Carillo Puerto, almost midway between the LaVida summer home and the LaVida winter home – Carillo Puerto is the vacation home of the Los Tequileros drug cartel.

top view down CH 2 TITLE

Most of the jobs in Carillo Puerto are in agriculture. Many members of the Familia Michoacana hold hospitality in Carillo Puerto. Mexican Federal Police declared on November 2, 2011, that the La Familia cartel had been disbanded but there is a new cartel in Carillo Puerto called Los Tequileros, a mix of Templarios and La Familia cartel members. The facts tell a completely different story than the fiction presented to the world by the Mexican Federal Police. Today, in 2017, there is a battle for power between La Familia and Los Templarios. La Familia, led by Johnny Hurtado Olascoaga, “El Pescado”, and Los Tequileros, led by Raybel Jacobo de Almonte, “El Tequilero”, are disputing for the control of the drug corridor that connects the Sierra and the Tierra Caliente region of Guerrero with Michoacán and the State of Mexico. San Antonio de la Gavia, in the municipality of San Miguel Totolapan, is the center of operations of Los Tequileros.

carillo puerto street art

There was another problem that Itza and Chichen faced – their son birds were not hatched in Mexico; they were illegal American scarlet macaws living a lie in Mexico. Although Cayo was first hatched, he was a multi-colored runt while his younger bird brother was a large solid scarlet macaw with a large white beak and black outlines. He was everything that a female scarlet macaw would want in a life mate. Cayo had a different special skill – he could maintain multiple thoughts like a human – not just any human – a genius human. Cayo was not a birdbrain like the other scarlet macaws. That is, he thought he was the only multiple thought capable scarlet macaw until he discovers that his father and his mother also can maintain multiple thoughts. Carmen could not; he was a single thought birdbrain scarlet macaw and after twenty years of pretending to be first hatched in Playa Del Carmen, Carmen was about to become leader of the LaVida family flock of scarlet macaws.

Chapter Two begins in Tampico as Carmen calls out for his two wing birds, Veracruz Sammy and Coco Merida. Carmen then assembles the flock at the gazebo in the center of the city to migrate to Belmopan, Belize for the winter. He plans to hug the coastline and rest in Veracruz before continuing onto Belmopan. This is his first time leading the flock and his two wing birds, Veracruz Sammy and Coco Merida are there to assist him. Where in the World is Carmen LaVida? is Chapter Two; where indeed?

veracruz 5B

THE SCARLET ADVENTURES is conceived, written, produced and directed by Jeffrey Pergament and is an adult cartoon in the style of Fritz the Cat and The Secret of Nimh and as if Once Upon A Time in Mexico merged with Goodfellas, Tequila Sunrise and DePalma’s Scarface in the Yucatan Peninsula, Belmopan, Belize and swept by a hurricane to Key West, Florida with a bird named Cayo LaVida on the cover of the LIQUIDISLAND CD Album, GO YOUR WAY.

How did the scarlet macaw get to be the cover bird on the LIQUIDISLAND CD Album? That question, of course, is why I wrote THE SCARLET ADVENTURES. The answer may be discovered in THE SCARLET ADVENTURES.

CAYO lAvIDA COVER CD

GO YOUR WAY COVER ART

All music is Copyright ©2017 by Keith A. Forman, BMI Songwriter and Founding Bandleader, LIQUIDISLAND.

All visual art, creative writing, narrative content, jpegs, audio-visual production, other intellectual property, audio re-mixing, digital image creation, CGI, animated drawings and post-production are Copyright ©2017 by Jeffrey W. Pergament, Creative Director and Executive Producer, PISCES PRODUCTIONS, an independent creative entity of VISUAL PHENOMENA STUDIO dba CEI T/A VISUAL PHENOMENA.

THE SCARLET ADVENTURES is in production and I am seeking financing. Please visit www.patreon.com/visualjeff to participate in this multi-media production as a PATRON/PARTNER Member of TEAM LIQUIDISLAND and receive incredible rewards and recognition, as well as on-screen credits as a PARTNER IN PROMINENCE. Membership has rewards!

Thank you for your consideration.

www.patreon.com/visualjeff

Jeffrey W. Pergament, Artist/Designer/Owner, PISCES PRODUCTIONS and VISUAL PHENOMENA STUDIO

LEGAL COMMENTARY: Please visit www.patreon.com/visualjeff to participate as a Member of TEAM LIQUIDISLAND and become a screen credit recognized patron, partner, sponsor and/or fan of THE SCARLET ADVENTURES, the current collaborative multi-media work in progress between Jeffrey Pergament, Multi-Media Artist, PISCES PRODUCTIONS, an independent creative entity of VISUAL PHENOMENA STUDIO, and Keith A. Forman, BMI Songwriter and founding bandleader of LIQUIDISLAND, an authentic 100% original music studio and live performance rock band playing only the words and music of Keith A. Forman. Jeffrey Pergament, Creative Director and Executive Producer, THE SCARLET ADVENTURES. ©2017 by Jeffrey Pergament for PISCES PRODUCTIONS dba CEI T/A VISUAL PHENOMENA; all rights reserved.

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PISCES PRODUCTIONS and VISUAL PHENOMENA STUDIO; OBJECTIVE: TO CREATE, PRODUCE AND PRESENT ANIMATED DOCUMENTARY MUSIC VIDEOS ABOUT LIFE, LOVE & THE 21ST. CENTURY WITHIN THE CONTEXT OF GENDER EQUALITY AND AN END TO ALL ABUSE AGAINST ALL WOMEN AROUND THE WORLD. PISCES PRODUCTIONS, AN INDEPENDENT CREATIVE ENTITY OF VISUAL PHENOMENA STUDIO dba CEI T/A VISUAL PHENOMENA.

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